Before Wilson County was founded in 1855, the area around Black Creek was part of Wayne County. Celia Artis, a free woman of color, is listed as a head of household in the 1840 census of Black Creek district of Wayne County. Though it’s not certain that she lived in what is now Wilson County, her listing in proximity to white planters Stephen Woodard and Bunyan Barnes, who definitely lived in Wilson County territory, suggests so.

1840 federal census of Wayne County, North Carolina.
Celia’s family and Adam T. Artis’ family were among several sets of Artises living in or adjacent to northeastern Wayne County in the antebellum era, and members both intermarried and otherwise interacted with each other regularly. At least eight sets of Celia Artis’ descendants were living in Wilson County by the early 1900s, so I include a summary of her life here.
Celia Artis was born just before 1800, probably in northeastern Wayne County or what is now southern Wilson County. Nothing is known of her parentage or early life. She gave birth to at least six children and married an enslaved man called Simon Pig, who was the father of some or all of them.
In 1823, she gave control over her oldest children to two white neighbors, brothers (or father and son) Elias and Jesse Coleman, in a dangerously worded deed that exceeded the scope of typical apprenticeship indentures:
This indenture this 16th day of August 1823 between Celia Artis of the County of Wayne and state of North Carolina of the one part, and Elias and Jesse Coleman of the other part (witnesseth) that I the said Celia Artis have for an in consideration of having four of my children raised in a becoming [illegible], by these presence indenture the said four children (to viz) Eliza, Ceatha, Zilpha, and Simon Artis to the said Elias and Jesse Coleman to be their own right and property until the said four children arives at the age of twenty one years old and I do by virtue of these presents give and grant all my right and power over said children the above term of time, unto the said Elias and Jesse Coleman their heirs and assigns, until the above-named children arives to the aforementioned etc., and I do further give unto the said Elias and Jesse Coleman all power of recovering from any person or persons all my right to said children — the [illegible] of time whatsoever in whereof I the said Celia Artis have hereunto set my hand and seal the day and year above written, Celia X Artis.
Despite the “own right and property” language, Celia did not exactly sell her children, but what drove her to this extreme measure? Celia was not legally married and, as a result, her children were subject to involuntary apprenticeship until age 21. This strongly worded deed records her determination to guard her children from uncertain fates by placing them under the control of men she trusted, rather than those selected by a court. Despite the deed’s verbiage, it is possible that the children continued to live with their mother during their indenture. Certainly, Celia, unlike many free women of color, had the wherewithal to care for them, as evidenced by her purchase of 10 acres in Wayne County from Spias Ward in 1833. Wayne County deeds further show purchases of 124 acres and 24 acres from William Thompson in 1850 and 1855.
By 1840, Celia Artis was head of a household of eight free people of color in Black Creek district, Wayne County, comprising one woman aged 36-54 [Celia]; three girls aged 10-23 [Eliza, Leatha, Zilpha]; one girl under 10 [unknown]; two boys aged 10-23 [Calvin and Simon]; and one boy under 10 [Thomas].
In the 1850 census, she was enumerated on the North Side of the Neuse, Wayne County, as a 50 year-old with children Eliza, 34, Zilpha, 28, Thomas, 15, and Calvin, 20, plus 6 year-old Lumiser, who was Eliza’s daughter. Celia is credited with owning $600 of real property (deeds for most of which went unrecorded), and the agricultural schedule for that year details her wealth:
- Celia Artis. 50 improved acres, 700 unimproved acres, value $600. Implements valued at $25. 2 horses. 1 ass or mule. 1 ox. 21 other cattle. 40 sheep. 500 swine. 500 bushels of Indian corn. 100 lbs. of rice. 2 lbs. of tobacco. 100 lbs. of wool. 100 bushels of peas and beans. 200 bushels of sweet potatoes.
Celia Artis also appears in the 1850 Wayne County slave schedule, which records her ownership of her husband:

1850 slave schedule of Wayne County, North Carolina.
In 1860, surprisingly, the census taker named that husband, Simon Pig Artis, as the head of household. However, if he’d been freed formally, there’s no record of it. Simon is also listed as the 70 year-old owner of $800 of real property and $430 of personal property — all undoubtedly purchased by Celia. Their household included son Thomas, daughter Zilpha, and granddaughters Lumizah, 17, and Penninah, 11.

1860 federal census of Wayne County, North Carolina.
A 1863 Confederate field map shows “C. Artis” just off the roads that are now NC-222 and Watery Branch Church Road.

The family’s cemetery remains on that land, as seen in the Google Street View below. A Primitive Baptist church, Diggs Chapel, and an early African-American school, Diggs School, once stood nearby.

Neither Celia nor Simon appears in the 1870 census. However, it seems likely that Celia was alive for at least a few more years, as her estate was not opened until 1879. It was surprisingly small, suggesting that she had distributed most her land and valuables (or otherwise lost them) before her death. Son Thomas is listed as the sole heir to her $200 estate.
Known Wilson County descendants of Celia Artis (and the child from whom they descend) include Edgar H. Diggs and children (Eliza); Rommie Diggs Sr. and descendants (Eliza); Sallie Artis Shackleford and descendants (Eliza); brothers Kemmy A. Sherrod and O. Royal Sherrod (Eliza); Rommie Newsome (Eliza); siblings Beulah Artis Exum Best, Francis Artis Edmundson, and Adam H. Artis (Eliza); Daisy Baker Hobbs (Leatha Ann); and Haywood W. Baker and descendants (including son John H.W. Baker) (Leatha Ann).
“Map of a part of eastern North Carolina from a map in progress compiled from surveys and reconnaissances” (1863), Jeremy Francis Gilmer Papers #276, Southern Historical Collection, Wilson Library, University of North Carolina at Chapel Hill.