Artis

Adam T. Artis, part 1.

I have blogged many times about siblings Cain Artis, William M. Artis, Walter S. Artis, Alberta Artis Cooper, Columbus E. Artis, Josephine Sherrod Artis, and June S. Artis — but not specifically about their father Adam Toussaint Artis, a free-born farmer who bought and sold hundreds of acres of farm and woodland in Nahunta township, Wayne County, North Carolina. Artis had five wives over his long life, and more than 25 children. Many of his thousands of descendants, including me, have ties to Wilson.

In this first post, a look at Adam T. Artis’ early years, relationships, and wealth-building.

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Adam Toussaint Artis was born 19 July 1831, most likely in the Bullhead area of northwestern Greene County, North Carolina, or the Nahunta area of northeastern Wayne County, North Carolina. His mother Vicey Artis was a free woman of color, and his father Solomon Williams was an enslaved man. [Artis’ middle name, pronounced “too-saint,” is both fascinating and mysterious. How had his mother, an unlettered woman who spent her entire life in deep rural eastern North Carolina, heard of Toussaint Louverture, who died a few years before she was born?]

Detail of 1850 census, Greene County, North Carolina.

In the 1850 census of Greene County, North Carolina: at #428, Adam, 18, Jane, 17, and Charity Artess, 13, appear in the household of white farmer Silas Bryant. Though no bonds or other indenture documents survive, it is most likely that the Artis children were involuntarily apprenticed to Bryant until age 21 by the Greene County Court of Pleas and Quarter Sessions. Next door, at #429, probably living on Bryant’s land, were their mother and siblings Vicy, 40, Zilpha, 22, Louis, 8, Jonah, 7, Jethro, 5, and Richard Artis, 1.  I have not been able to identify Solomon Williams’ whereabouts during slavery.

In the mid 1850s, Adam Artis began a relationship with an enslaved woman named Winnie. They had two children together, Cain, born about 1854, and Caroline, born about 1856.

On 29 September 1855, Adam Artis bought ten acres in Wayne County, North Carolina, from John Wilson, husband of his sister Zilpha Artis Wilson. Artis mortgaged the property to Wilson in exchange for its $124 purchase price.

Detail, Nash County marriage register.

On 10 October 1855, Adam Artis married Lucinda Jones in Nash County, North Carolina. Jones’ father Jacob Ing was bondsman, William T. Arrington witnessed, and justice of the peace D.A.T. Ricks performed the ceremony. [In the 1850 census of Nash County: Jacob Ing, 64, white, farmer; Easter Jones, 55, John Jones, 20, [his wife] Dolly Jones, 21, Matthew Jones, 18, and Lucy Jones, 16, all mulatto.]

Lucinda Jones Artis died circa 1859.

Detail of 1860 census, Davis district, Wayne County, North Carolina.

The 1860 census of Davis district, Wayne County, tells a nuanced story. This entry contains the sole census reference to Adam Artis’ skills as a carpenter, probably gained during his apprenticeship to Bryant. The $200 in personal property he claimed probably consisted mostly of the tools of his trade, and the $100 value of real property reflects his early land purchases. Artis was a widower in 1860; Kerney, Noah and Mary Jane were his children by Lucinda Jones Artis. (Artis’ elder children, Cain and Caroline, as enslaved people, are not named in any census prior to 1870.) Jane Artis was Artis’ sister; her one month-old infant may have been daughter Cornelia. I’ve included two lines of the next household to highlight a common pitfall — making assumptions about relationships based on shared surnames. Celia Artis was not related to Adam Artis. At least, not in any immediate way. (Ultimately, nearly all Artises trace their lineage to a common ancestor in 17th-century Tidewater Virginia.) Adam’s brother Jesse Artis testified directly to the matter in the trial in Coley v. Artis: “I don’t know that Tom [son of Celia and Simon Pig Artis] and I are any kin. Just by marriage.”)

Adam Artis was 30 years old at the start of the Civil War, a farmer and carpenter who had already begun to build some wealth. Unlike many free men of color, he may have avoided conscription by the Confederacy to build breastworks at Fort Fisher near Wilmington. However, Artis had been forced to pay taxes on his crops to the Confederate government. (The reference to “Wife” on the assessment below suggests that she was acting in his absence, which could hint that he had been conscripted.) Artis likely had to turn over stock and provisions to Union soldiers foraging in Wayne County, but after the war did not file a claim with the Southern Claims Commission to recoup any losses.

Assessment of Adam Artis’ crop of cured fodder,Confederate Papers Relating to Citizens or Business Firms, 1861-1865 (NARA M346), http://www.fold3.com.

In an 1863 Confederate tax assessment of David district, Wayne County, John Coley, as administrator, reported that H. Woodard Lewis’ estate included Winney, age 29, Cane, age 9, and Caroline, 7. This, of course, was Adam Artis’ first set of children and their mother, who remained enslaved until the end of the Civil War.

On 8 April 1867, Jacob Ing made out a will that provided in part, for bequests to “Mary Reynolds, wife of Benjamin Reynolds, Elizabeth Boon wife of Jesse Boon, Selah White, wife of James White, Sally Reynolds, wife of William H. Reynolds, William C. Jones, Matthew Jones, also old Chaney Freed woman (formally my house servant) also Lucinda Artist (dead) to her Children if any surviving (all colored).” Ing died a few years later, and Augustus K., Noah, and Mary Jane inherited about a hundred dollars each. In 1872, Adam Artis filed a guardianship application in order to manage his children’s estates until they reached the age of majority.

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Adam T. Artis’ elder children:

  • Cain Artis adopted his father’s surname in adulthood and farmed his own land in northwest Wayne County.  He married first Annie Thompson, then Margaret Barnes. By 1890, he had bought a house in Wilson, and in 1900, he and his second wife sold land to Mount Hebron Masonic Lodge for its cemetery. (Adjoining land passed through Margaret Barnes Artis to her heirs, who eventually sold it to the city of Wilson to establish Rest Haven Cemetery.) The 1912 city directory shows Cain Artis a small grocery with Wiley Oates just outside city limits on East Nash road. He died of tuberculosis in Wilson in 1917.
  • Caroline Coley married Madison Artis, son of Calvin and Serena Seaberry Artis in Wayne County in 1878. Caroline and Madison Artis appear in the 1880 census of Wayne County, but I have not found them after.
  • Augustus K. Artis,who was known as Gus, Gustus, and Kerney, was born about 1857. Some time between the birth of daughter Lena in 1882 and 1893, Gus and wife Mary Rebecca Morgan migrated to the Little Rock, Arkansas, area. The city’s 1914 directory lists him as a laborer at J.W. Vestal & Son, a nursery. He died of heart disease 2 June 1921 in Brodie township, Pulaski County, Arkansas, and was buried in a “fraternal cemetery” there.
  • Noah Artis, born in 1856, remained in northeastern Wayne County, where he farmed, married Patience Mozingo, and fathered children Nora Artis Reid, Pearl Artis, Pauline Artis Harris, Rena Belle Artis Foster, William N. Artis, and Bessie Artis Taylor. He died in 1952 in Wilson.

Noah Artis (1856-1952).

  • Mary Jane Artis, born about 1858, married Henry Artis, son of Warren and Percey Artis. (Though all of Wayne County Artises are probably ultimately related, the exact kinship between Adam Artis and Warren Artis, whose parents are believed to have been Absalom and Clarkey Artis, is unknown.) Mary Jane remained in the Nahunta area of Wayne County all her life and died 20 June 1914 in Goldsboro, Wayne County. Her and Henry’s children were Armeta Artis, Alonzo Artis, Lucinda Artis, Calonza Artis, John C. Artis, Mattie Artis Davis and May Artis.

Will of Jacob Ing, Wills, Nash County Records, North Carolina State Archives; Estates Records, Wayne County Records, North Carolina State Archives; Marriage Records, Register of Deeds Office, Wayne County Courthouse, Goldsboro NC; Nash County Marriage Records, North Carolina Marriage Records, 1741-2011, http://www.ancestry.com; photo courtesy of W. Waheed.

Recommended reading, no. 9.
I know I have a romantic view of old East Wilson (old, as in before it was ravaged by disinvestment and the crack trade), attributable to my very safe and happy childhood there. Still, I am sometimes reminded how shallow my rosy recollection can be and how it may serve to erase or obscure less happy stories.

One of my cousins, 20 years older than I, published a memoir a few years ago. The early pages of Sherrod Village are set on streets I’ve walked and peopled by folks I knew in East Wilson. Barbara Williams Lewis’ grandmother Josephine Artis Sherrod was my great-great-grandmother’s sister; they were two of the “innumerable” children of Adam T. Artis. (Barbara’s mother, in fact, is who described them to me that way.) I thought I would recognize so much in Barbara’s book. And I did. But I didn’t.

Children are shielded from so much ugliness — if they’re lucky, as I was — and understand so little of what they see. The ragged past of sweet old people is not always apparent in their mild present. Nonetheless, though my own family’s story involved poverty and insecurity and pain, I have believed that my recollected truth was true. I have, perhaps, counted on it.

I’ve spoken often about viewing East Wilson as a palimpsest. However, for too long I processed little beneath the surface of my own Polaroid-tinted memories of crepe myrtles, corner stores, and swimming lessons at Reid Street Community Center. I knew the history of the place, but not the often bitter stories of its people. Fifteen pages into Sherrod Village, I wrote to Barbara that I was “staggered.” I finished the book in the same state of astonishment.

I thank Barbara for her honesty and bravery. I thank her also for pushing me toward deeper and more empathic consideration as I continue to build space for our community’s stories.

The roots of many Wilson County Artises, no. 3: searching for Elder Jonah Williams.

As we saw here, many Wilson County Artises can trace their roots to Solomon and Vicey Artis Williams. Though most of the couple’s children adopted the surname Artis, two took the surname Williams after their father was emancipated. Son Jonah Williams was a well-known Primitive Baptist elder who founded churches in Wayne, Wilson, and Edgecombe Counties and lived his last decades on Wilson’s East Green Street. 

In this post adapted from my personal genealogy blog, http://www.scuffalong.com, I tell of my small adventure searching for Jonah Williams’ grave just north of Eureka, in far northeast Wayne County.

I wasn’t sure how I was going to get at it. GPS coordinates and satellite views showed the cemetery on private property way back from the road, without even a path to reach it. I took a chance, though, and pulled up in the driveway of the closest house. A wary, middle-aged white woman was settling an elderly woman into a car as I stepped out. I introduced myself and told her what I was looking for. “Goodness,” she said. “I remember a graveyard back up in the woods when I was child. You should ask my cousin J.”

Following her directions, I knocked on the house of a door perhaps a quarter-mile down Turner Swamp Road. J.S. answered with a quizzical, but friendly, greeting, and I repeated my quest. Minutes later, I was sitting in J.’s back room, waiting for him to change shoes and look for me some gloves and find the keys to his golf cart. We bounced along a farm path for several hundred yards, then followed the edge of the woods along a fallow field. Along the way, J. told me about his family’s long history on the land, and the small house and office, still standing, in which his forebears had lived. As we slowed to a stop, he cautioned me about the briers that we were going to have to fight through and pulled out some hand loppers to ease our path. The cemetery, he said, was there — in that bit of woods bulging out into the plowed-under field.

Google Maps aerial.

The view from the ground.

When they were children, J. and his cousins roamed these woods at play. Though only a few markers were now visible, he recalled dozens of graves on this hillock. Turner Swamp runs just on the other side of the tree line nearby. Without too much difficulty, we cut our way in and angled toward the single incongruity in this overgrown copse — a low iron fence surrounding a clutch of headstones. I made for the tallest one, a stone finger pointing heavenward through the brush. At its base:

Elder Jonah Williams 1845-1915

At his side, wife Pleasant Battle Williams, with their children Clarissa, J.W., and Willie Williams nearby.

Pleasant wife of Jonah Williams Born Dec. 23, 1842 Died Apr. 13, 1912. She hath done what she could.

In Glimpses of Wayne County, North Carolina: An Architectural History, authors Pezzoni and Smith note that the largely forgotten graveyard was believed to hold the remains of members of the Reid family. This is quite possibly true as Reids have lived in this area from the early 1800s to the present. As I followed J. through the brush, and my eye grew accustomed to the contours of the ground beneath us, I could see evidence of thirty to forty graves, and there are likely many more. Had this been a church cemetery? Was Turner Swamp Baptist Church (or its predecessor) originally here, closer to the banks of the creek for which it is named? If this were once the Reid family’s graveyard — known 19th and early 20th century burial sites for this huge extended family are notably few — how had Jonah and his family come to be buried there?

Pleasant Williams’ headstone at left, and Jonah Williams’ obelisk at right. The winter woods of eastern North Carolina are quite green well into December.

I am indebted to J.S. for the warmth and generosity shown to a stranger who showed up unannounced at his doorstep on a chilly December day, asking about graveyards. I have been at the receiving end of many acts of kindness in my genealogical sleuthings, but his offer of time and interest and knowledge — and golfcart — are unparalleled.

Photos by Lisa Y. Henderson, December 2013.

Artis & Flanagan.

News and Observer (Raleigh, N.C.), 21 May 1921.

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Lenoir County native Walter E. Flanagan sat for state embalmers’ examination in May 1921, as did Wilson’s Columbus E. Artis. Per the website of W.E. Flanagan Memorial Funeral Home, Flanagan established a funeral home on Second Street in Greenville, North Carolina, that same year. Artis went into business with Amos Batts for a few years, but in 1925 joined forces with Flanagan to form the short-lived undertaking establishment in Wilson.

The 1925 Wilson city directory carries an entry for ARTIS & FLANAGAN (C E Artis, W E Flanagan) funeral directors 563 E Nash — phone 1183.

Detail from death certificate of Dorothy Lee Simms, age 7, who died 25 June 1925 in Wilson.

Artis and Flanagan seemed to have parted company within a year.

Barbers and bank — can you confirm this location?

A generous reader shared this breathtaking photo of seven African-American men standing on a Wilson street curb. I know nothing about its provenance. Can you help me identify the men or the location?

A few clues:

(1) My best guess for the time period is 1910-1920.

(2) Two of the seven men are wearing white barber’s jackets.

(3) One of the two men standing in vests at center may have been Columbus E. Artis. Of the two, my money is on the man at left, holding … what? Artis is not known to have been a barber. In fact, in 1913, he operated an eating house at 214 South Goldsboro Street. Artis migrated to Washington, D.C., around World War I, returning to Wilson by 1921, when he commenced a long career as the town’s number 2 Black undertaker, behind Charles and Camillus Darden.

(4) The storefront behind them is adorned with a barber’s pole, and “Baths” is painted on its enormous plate glass window. Better-quality barbershops of the time offered clients bathtubs or showers for a full grooming experience in an era in which hot water and indoor plumbing were still rare home luxuries. This shop would have catered to white clients (you can see vaguely one peering out of the window) and would have been located west of the railroad tracks.

(5) Next to the barbershop, there is a doorway. The letters visible in its multi-muntin transom are an S (imprinted or sewn onto a heavy cloth background) and B-A and a partial N. A bank. With a patron (or perhaps banker) exiting in a top hat.

(6) Though the styles of the storefronts are different, the second floor above them seems to show they are bays in a single building.

(7) An examination of the 1908 and 1913 Sanborn insurance maps reveals only one neighboring barbershop and bank in downtown Wilson — at 108 and 110 East Nash Street in 1913. The map shows a two-story brick building divided into equal-sized spaces. (In 1922, the businesses were still there, but the street numbers had changed to 109 and 111.)

Detail, Sanborn fire insurance map, Wilson, N.C., 1913.

(8) Per the 1912 city directory, 108 East Nash was home to Mayflower Barber Shop, whose owner at that time was Levi H. Jones. None of these men appears to be Jones.

(9) Per the 1912 city directory, 110 East Nash was home to Wilson Trust and Savings Bank, whose president was John F. Bruton and vice-president was Jonah Oettinger.

Is this Mayflower Barber Shop? Who are the men?

Thank you, C. Joyner!

[Update: Dana Corson pointed out an O.V. Foust photo of the construction of the First National Bank building in 1926 that confirms 109 (108) and 111 (110) East Nash Street as the location of the buildings in this photo. Ironically, the buildings were gone — subsumed in the footprint of Wilson’s high-rise building. The window forms and dentil corbelling seen above, however, continued across to 105 and 107 and are visible in this close-up.]

Raines and Cox Studio Photograph Collection, State Archives of North Carolina.

Detail from 1930 Sanborn fire insurance map of Wilson, N.C.

The roots of many Wilson County Artises, part 2: Artis Town.

A mash-up of few old posts from my personal genealogy blog, http://www.scuffalong.com.  Artis Town was not an incorporated place; rather, it was a neighborhood in which an extended family of free people of color had lived in the antebellum period, and in which one, Daniel Artis, had had bought 120 acres in 1853 upon which to settle his large family. Not all modern Artis descendants in Wilson County are linked to Artis Town, but many are, including me. Documents and DNA evidence strongly suggest that Daniel Artis was the brother of my great-great-great-great-grandmother Vicey Artis Williams.

I checked first at the Court House. I had a hazy memory of a dusty, yellowed pull-down map hanging on a wall in the Register of Deeds office outlining Greene County townships in, perhaps, the 1950s. Most county roads were then unpaved, and the map bore witness to many now-abandoned crossroads and hamlets, including “Artis Town.” But the map was gone, cast aside in a reshuffling of office space that relegated Greene County’s Register of Deeds to the basement. The two ladies on duty — blue-permed and powder-fresh — interrupted their gossip (“He’s good as gold, but when he’s mad, he’ll … he’ll CATCH”) to help, gamely pulling two or three crumbling maps from storage, but none was what I sought. “Try EMS!,” one finally suggested, “They know all the roads.”

In the dim front office of a low brick building on the northern edge of Snow Hill, I explained myself: “I’m looking for a place in the road called Artis Town. There used to be a sign. Like, a green one with white letters. And it was somewhere off Speights Bridge Road, or maybe Lane Road, but I hunted up and down this morning and couldn’t find it.” The good old boys were puzzled. “Artis Town … Artis Town …” “Well, naw, I never heard of … Mike! You know where Artis Town is?” “Artis Town. Artis Town ….” An older man walked through the door and was put to the test. “Well, I think … hmmm. Hey. Call Donald. If he don’t know, don’t nobody.” … “Hey, Pam, is Donald — wait, you’re from out that way. Do you know where Artis Town is? … Okay … okay … okay. Donald? Yeah, Artis Town. … Okay … mm-hmm … that’s what Pam said. Okay, thankee.” And sure enough, it was in a bend of Lane Road, off Speights Bridge, and there had been a sign, and it was gone.

But I asked my mother about it, too, because she taught in Greene County for two years when she first came to North Carolina, and I thought maybe she’d heard of it. Her school had been in Walstonburg and probably drew students from Speights Bridge, and … “Let me look at my gazetteer.” She has the old version from the 1980s, which, of course, I pitched once I bought the shiny new one. And I’m regretting that surely, for Artis Town is marked quite clearly on her map, and I could have saved myself some gas and tire rubber had I consulted it. (Though I would have missed out on the helpful hospitality of the fine people of Snow Hill.)

This is what happens when you throw things away. You get new maps, shiny and updated, with all the latest roads. And all the old place names gone. My mother has the 1993 edition of DeLorme Mapping’s North Carolina Atlas & Gazetteer, and there is Artis Town.

I dug my old laptop out of storage today. It took a bit of searching, but finally: photos I took in December 2004 when I was wandering the roads of Greene County with no real purpose other than a penchant for what William Least Heat-Moon calls “blue highways.” Almost ten years would pass before I’d connect Artis Town with my own Artises. The ancestors, though, are patient.

I haven’t seen it for myself, but I understand that a new Artis Town sign was placed a few years ago.

[Update, 6 February 2023: Here’s the new sign.]

Photograph of sign by Lisa Y. Henderson, 23 December 2004.

The roots of many Wilson County Artises, part 1: Solomon and Vicey Artis Williams.

Vicey Artis, a free woman of color, and Solomon Williams, an enslaved man, had eleven children together – Zilpha Artis Wilson, Adam Toussaint Artis, Jane Artis Artis, Loumiza Artis Artis, Charity Artis, Lewis Artis, Jonah Williams, Jethro Artis, Jesse Artis, Richard Artis, and Delilah Williams Exum — before they were able to marry legally. On 31 August 1866, they registered their 35-year cohabitation in Wayne County. Vicey died soon after, but Solomon lived until 1883.  The document above, listing his and Vicey’s six surviving children and heirs of their deceased children, is found among Solomon Williams’ estate papers.

In the antebellum period, Vicey Artis and her children, who were apprenticed to Silas Bryant, lived in the Artis Town area of Bull Head township, Greene County, N.C., just a few miles over the border of Wilson County. Solomon Williams presumably lived relatively close by. Before 1860, the family shifted west into the Eureka area of Wayne County (which may have been their original home territory), and Vicey died around 1868. Descendants of at least five of Vicey and Solomon’s children — most notably son Adam T. Artis — migrated into Wilson County starting around 1900, settling in and around Stantonsburg and Wilson.

We have met Jonah Williams here and here and elsewhere. We’ve also met Loumiza Artis Artis’ husband Thomas Artis. Stay tuned for more about my great-great-great-grandfather Adam T. Artis, Zilpha Artis Wilson, Jesse Artis, and Richard Artis.

[Sidenote: Artis was the most common surname among Wayne County free people of color. In the 1840, 1850 and 1860 censuses, Artis families primarily are found clustered in northern Wayne County, near present-day Eureka and Fremont. Though eastern North Carolina Artises ultimately share common ancestry stretching back to mid-17th century Virginia, the precise relationships between various Wayne County lines — not to mention other Greene and Johnston County Artis lines — is not clear. In other words, though many of today’s Artises in Wilson are descended from Vicey Artis and Solomon Williams (or Vicey’s siblings Sylvania Artis Lane and Daniel Artis), none should assume descent from this line.]

Reunions, no. 2.

I don’t often get to see my high school friends, and I can’t recall the last time we gathered in numbers. Last June, however, we came together to celebrate Thelma Braswell Forbes and lift up her daughter, Dawn Forbes Murphy. I have known all of these folks since at least elementary school (or in the case of Thomas Lofton Jr., since birth), but only recently discovered that two are actually my cousins.

Felicia Wilkes Curry (in the gray teeshirt) and I share common ancestry in the Artises of Artis Town, Greene County, N.C., and we’re just two of many of that early 19th century family to wind up in Wilson. (Now that I’m thinking about it, an Artis Town post is probably warranted here at Black Wide-Awake. Stay tuned.) 

Kimberly Bynum Deans (yellow shirt), via her great-grandfather James W. Cooper, is descended from my great-great-great-grandfather Adam T. Artis’ brother Richard Artis, which means she has Artis Town roots and is Felicia’s cousin, too. 

Among the most rewarding aspects of researching for Black Wide-Awake are discovering, uncovering, and recovering lost family connections, both my own and others’. I was particularly excited to piece together the Taylor family puzzle, which linked three of my childhood friends (and possibly me to one of them, Gregory Wilkins, via an Eatmon ancestor). Wilson County is small enough that it’s not surprising that many of us share distant common roots, but finding out just who those long-lost cousins are is always a delight. 

Bigamy hearing interrupted for wedding.

Wilson Daily Times, 13 January 1928.

I had to read this a few times before I understood that the couple being married was not named in the piece.

As for James Artis, at age 19 he married Cherry Murphy, 18, on 1 October 1922 in Ormonds township, Greene County, North Carolina. I have not found a license for him and Lena Edwards.

Eleven year-old boy beaten by white men.

In November 1944, a mail carrier found an eleven year-old African-American boy crying in ditch. The child’s leg was broken, and he revealed that he had been chased and knocked by several drunken white men. The mail carrier took him to a white doctor in Stantonsburg, who recommended that he be taken to Mercy Hospital in Wilson.

I have not been able to find more about the incident.

Wilson Daily Times, 7 November 1944.

I suspect that “Rosette” Artis was actually Roselle Artis, a well-known African-American farmer in the Stantonsburg area. However, as best I can determine, Roselle and Rencie Bynum Artis did not have a son who was 11 years old in 1944. The closest was their son Milton R. Artis, who would have been 9 years old.

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In the 1940 census of Stantonsburg township, Wilson County: on Old Wilson Road, farmer Roselle Artis, 27; wife Rencie, 20; son Milton, 4; mother Frances, 60, widow; nephews Marion Jr., 10, and Thomas S., 9;  lodgers Jimmie D. Barnes, 21, and Miles Warren, 60.