Wilson Daily Times, 1 December 1936.
Though booked at the whites-only Wilson Theatre, “Brown Skin Models” revue (featuring “struttin'” and “moanin’ low tunes,” uproarious comedy, and “spirituals as only the negro can sing them”) the show’s “special midnight midnight performance” was an accommodation that allowed an African-American audience through the doors.
As adapted from Wikipedia:
Irvin Colloden Miller (1884–1975) was an African-American actor, playwright and vaudeville show writer and producer. He was responsible for successful theater shows including Broadway Rastus (1921); Liza (1922); Dinah (1923), which introduced the wildly popular Black Bottom dance; and Desires of 1927 starring Adelaide Hall. “In the 1920s and 1930s, he was arguably the most well-established and successful producer of black musical comedy.”
In 1925, Miller started an annual show, Brown Skin Models, inspired by the Ziegfeld Follies, but glorifying attractive black women and exclusively using black performers. The show toured the country with great success for forty weeks a year and during the Second World War toured army camps as part of the United Service Organizations. Although the shows included song, dance, and comedy, the focus was on the models themselves, who “did not necessarily sing or dance [but] merely appeared in costume, walked across the stage, and posed.”
The show was hailed by the Chicago Defender as a radical departure from stereotyped plantation song and dance shows. Miller continued to produce versions of the show with his wife Blanche Thompson, one of the leading models, until he retired around 1955.
And see here for more on Sammy Stewart’s orchestra.
Photos courtesy of Matthew F. Delmont’s blog, Black Quotidian: Everyday History in African-American Newspapers.