Wilson Daily Times, 7 October 1950.
Jim Crow really had no limits.
As Wilson expanded west past Grabneck and other former African-American sections, deeds for lots and houses began to imbed restrictive covenants that, among other limitations, prohibited Black residents.

The language was standard:
(a) No part of said premises may be conveyed unto any person of African descent, nor any part thereof be occupied by any person of African descent other than such persons in the domestic employment of the owner. [In others words, onsite maids, cooks, yardmen, and drivers were fine.]

As shown in the referenced plat map below, this sale was for a large lot (#18) on Anderson Street between Moye Avenue and West End Avenue.
Plat Book 4, page 74, Wilson County Register of Deeds Office, Wilson.

Wilson Daily Times, 30 September 1939.
The Daily Times predicted hundreds of pressmen for a match-up between A.&T. and Virginia Union at Wilson’s Municipal (later Fleming) Stadium in October 1939. White fans were expected, too, and “the grandstand will be divided, the third base line half for white spectators and the first base section of the stands for colored fans.”

Wilson Daily Times, 13 August 1919.
African-American veterans of World War I were explicitly excluded from a gathering of former sailors and soldiers.
Wilson Daily Times, 1 September 1933.
The Carolina Theatre ordinarily relegated African-American moviegoers to its balcony, but occasionally staged midnight viewings for Black audiences.
Every once in a while, we step outside Black Wide-Awake‘s period of focus to highlight an especially interesting document.
Reid Street Community Center opened in 1938 as, of course, a segregated facility. Long-time plans to build a state-of-the-art “community center building for the whites” (as it was called in a 11 August 1954 Daily Times editorial, and thus the moniker “White Rec,” as it was known for decades and maybe still is) screeched to a halt in early 1954 after the United States Supreme Court ruled in Brown v. Board of Education that “separate but equal” standards of racial segregation were unconstitutional.
Opined the Daily Times editorialist:
The exhortations worked, and voters (who were largely white) elected to fund both community centers. Architectural sketches of the proposed new (or renewed) buildings dropped in March 1955, and here’s the proposed updated facility at Reid Street with its big new pool.

A few features were pared away before final construction, but anyone, like me, who learned to swim at Reid Street as late as the 1980s will immediately recognize the high and low diving boards and the lifeguard’s chair. The overhang shown shading the exit from the locker rooms, where you turned in your wire clothes basket and received an enormous numbered safety pin, didn’t make the final cut. Nor did the tennis courts, the large wading pool, or the landscaping.
Courtesy of Google Maps, here’s an aerial rear view of Reid Street Community Center shot when the pool was closed during the pandemic. It’s looking a little worse for the 68 years of wear since 1955, and the $1.9 million overhaul recently announced is long overdue.
Jerome De Perlinghi recently revealed this haunting photograph taken just before Farmers Warehouse’s partial collapse last month. Though such images shock us now, they were once as commonplace as dandelions and unremarkable even to those who had to bypass them to slake their thirst under the ‘Colored’ sign.
I was immediately reminded of a passage in William B. Clark Jr.’s Some Reflections On and Trivia of Wilson’s Tobacco Auction Warehouses 1890-1980, self-published in 1991, and excerpted here in 2018.


[The ninth edition of Eyes on Main Street, the incredible international outdoor photography festival De Perlinghi founded in Wilson, opens 1 June and runs through 10 September 2023. Don’t miss it, or his newly opened American Center for Photographers.]
In May 1950, the Negro Citizens’ Committee paid to place an open letter in the Wilson Daily Times explaining the lawsuit it had filed against Wilson City Schools. Takeaways below.

Wilson Daily Times, 6 May 1950.

This exceptionally detailed photograph was taken in August 1934, when Hollywood Party played at the Carolina Theatre. The Carolina (later called the Drake) admitted African-American patrons only through a balcony entrance, visible behind the awning at bottom left.
Photo taken for Wilson Chamber of Commerce; print in collection of Lisa Y. Henderson.
Priscilla Joyner was born in Nash County, not Wilson, but close enough for her life story — and the context in which it unfolded — to be of particular interest to Black Wide-Awake readers.
“Priscilla Joyner was born into the world of slavery in 1858 North Carolina and came of age at the dawn of emancipation. Raised by a white slaveholding woman, Joyner never knew the truth about her parentage. She grew up isolated and unsure of who she was and where she belonged—feelings that no emancipation proclamation could assuage.
“Her life story—candidly recounted in an oral history for the Federal Writers’ Project—captures the intimate nature of freedom. Using Joyner’s interview and the interviews of other formerly enslaved people, historian Carole Emberton uncovers the deeply personal, emotional journeys of freedom’s charter generation—the people born into slavery who walked into a new world of freedom during the Civil War. From the seemingly mundane to the most vital, emancipation opened up a myriad of new possibilities ….
“… Uncertainty about her parentage haunted her life, and as Jim Crow took hold throughout the South, segregation, disfranchisement, and racial violence threatened the loving home she made for her family. But through it all, she found beauty in the world and added to it where she could.”
Priscilla Joyner’s family in the 1860 census of Dortches township, Nash County, N.C. She is believed to have been the daughter of Ann Liza Joyner and an unknown African-American man.