Arts

Lane Street Project: the sunny side.

Gravedigging news aside, today was lovely. 

The daffodils at Rountree never disappoint.

I sacrificed blood and boot trying get through the briers and wisteria to reach the base of the pole in Rountree Cemetery. I failed, but that’s okay.

I made a detour to Elm City Colored/Heritage Cemetery just to snap a photo of this marvel. Clarence B. Best at his best. I’m not sure why “avenging angel of death” was the motif the family settled on, but it makes for a compelling visual.

And then I pulled up to the house, and my sister’s car was in the driveway. All the way from New Jersey.

This evening I spoke at the library. I always relish these opportunities to share my research with folks who recognize and cherish the names and places I talk about. My family, two of my father’s classmates, my Wilson County Genealogical Society folks, the Lane Street Project Senior Force, Black Wide-Awake readers and followers, library staff, and so many others filled the room. Thank you.

As each has received a gift, use it to serve one another. 1 Peter 4:10.

28 Books for 28 days.

Twenty-eight books I recommend to contextualize the history and culture of Wilson County, North Carolina,’s African-American people, in no particular order. Search for a review of one book every day this Black History Month. You’ve got the rest of the year to read them.

  1. Spoonbread and Strawberry Wine: Recipes and Reminiscences of a Family, Norma Jean and Carole Darden (1978)
  2. African-American Music Trails of Eastern North Carolina, Beverly Patterson and Sarah Bryan (2013)
  3. Greater Freedom: the Evolution of the Civil Rights Struggle in Wilson, North Carolina, Charles W. McKinney Jr. (2010)
  4. Wayward Lives, Beautiful Experiments: Intimate Stories of Social Upheaval, Saidiya Hartman (2019)
  5. The Place You Love Is Gone: Progress Hits Home, Melissa Holbrook Pierson (2006)
  6. Hidden History: African American Cemeteries in Central Virginia, Lynn Rainville (2014)
  7. Throwed Away: Failures of Progress in Eastern North Carolina, Linda Flowers (1990)
  8. The Half Has Never Been Told: Slavery and the Making of American Capitalism, Edward E. Baptist (2014)
  9. Sherrod Village: A Memoir, Barbara Williams Lewis (2014)
  10. Elm City: A Negro Community in Action, C.L. Spellman (1942)
  11. Race and Politics in North Carolina 1872-1901: The Black Second, Eric Anderson (1980)
  12. No Justice No Peace, Algernon McNeil (2015)
  13. The Rise of a Southern Town, Wilson, North Carolina 1849-1920, Patrick M. Valentine (2002)
  14. Jim Crow in North Carolina: The Legislative Program from 1865 to 1920, Richard A. Paschal (2020)
  15. To Walk About in Freedom: The Long Emancipation of Priscilla Joyner, Carole Emberton (2022)
  16. Ed Mitchell’s Barbeque, Ed and Ryan Mitchell (2023)
  17. Cemetery Citizens: Reclaiming the Past and Working for Justice in American Burial Grounds, Adam Rosenblatt (2024)
  18. ‘Make the Gig’: The History of the Monitors, John Harris (2024)
  19. In the Pines: A Lynching, A Lie, A Reckoning, Grace Elizabeth Hale (2023)
  20. Black Folks: The Roots of the Black Working Class, Blair LM Kelley (2023)
  21. Civil Rights History from the Ground Up: Local Struggles, A National Movement, Emilye Crosby, ed. (2011)
  22. Historic Wilson in Vintage Postcards, J. Robert Boykin III (2003)
  23. Slavery in North Carolina 1748-1775, Marvin L. Michael Kay and Lorin Lee Cary (2000)
  24. From a Cat House to the White House: The Story of an African-American Chef, Jesse Pender (2007)
  25. Wilmington’s Lie: The Murderous Coup of 1898 and the Rise of White Supremacy, David Zucchino (2020)
  26. North Carolina’s Free People of Color 1715-1885, Warren E. Milteer Jr. (2020)
  27. George Henry White: An Even Chance in the Game of Life, Benjamin Justesen (2001)
  28. History of African Americans in North Carolina, Jeffrey J. Crow, Paul D. Escott, and Flora J. Hadley Watelington (2002)

Lane Street Project: congrats and gratitude.

I didn’t recognize the phone number, but I answered anyway. I was in a bit of a rush, heading into Home Depot for something or other. The caller was Chris Facey. He’d just started a residency in Wilson with Eyes on Main Street, and Jerome De Perlinghi had suggested he talk to me. I didn’t know it yet, but I was talking to the man who would, while forming an indelible bond with Castonoble Hooks, capture so many beautiful, joyful, sorrowful moments along Lane Street Project’s journey.

I’m so proud that Chris’ work has been included in the Griffin Museum of Photography’s Evidence of Existence on-line exhibit. Chris captured this image during Lane Street Project’s second season — the shaft and pyramidal cap of Henry Tart’s obelisk gleaming dully in a wisteria-draped glade.

Chris has brought honor and recognition to our ancestors. We thank him for his gifts of “art and record” and wish him multifold blessings.

Follow Chris Facey on Instagram @coco.butter.shutter

Unexpected joy on Christmas morning.

During the depths of the Great Depression, young Lusynthia Johnson wrote this Christmas short story set in a thinly veiled Wilson.

The Afro-American (Baltimore, Md.), 26 December 1936.

——

Lusynthia Page Johnson was born in 1922 in Wilson County to Theodore Roosevelt Johnson and Rachel Bynum Johnson. In the 1930 census of Wilson, Wilson County: Mamie Bynum, 50; daughter Mozell Jeffrey, 23, maid; daughter Rachel Johnson, 25, hospital maid; son-in-law Rosevelt Johnson, 23, orchestra musician; roomer Namie Lasitor, 22, servant; and granddaughter Lucinda Farmer, 8.

B.W.A. Historical Marker Series, no. 35: Georgia Burke.

In this series, which will post on occasional Wednesdays, I populate the landscape of Wilson County with imaginary “historical markers” commemorating people, places, and events significant to African-American history or culture.

We been here.

GEORGIA BURKE

(1878-1985)

Boycotted school to protest abuse of Black teacher Mary C. Euell in 1918, then taught at alternative Wilson Normal & Industrial Institute. In 1928, launched renowned stage and movie career in New York City spanning decades. In 1920s, lived at 332 S. Spring [now Douglas] Street.

Detail from 1925 Sanborn map of Wilson showing house in which Georgia Burke boarded.

Laddie Springs, jazz pianist.

Who was Laddie Springs? A passing mention of his orchestra in a 14 August 1937 Journal and Guide article led me down a rabbit hole. It turns out Springs spent only a few  years in Wilson, but what a life he led!

Laddie Springs was born in Charlotte, North Carolina.

In the 1910 census of Charlotte, Mecklenburg County, N.C.: at 714 West Street, janitor Frank Springs, 36; wife Annie, 37; children Pearl, 14, Clyde, 11, and Lattie, 8; boarder Jim Stearling, 23, laborer on street car line; and mother-in-law Nancie Abernathy, 65.

In his late teens, Springs found work as a clothes presser.

1923 Charlotte, N.C., city directory.

But he was soon on the road — the beginning of a half-century of professional piano-playing on the chitlin’ circuit, in vaudeville theatres, in schools, in jazz clubs, and in private homes.

We first see him — just two years out of the laundry — heading the New Orleans Jazz Band at Bailey’s 81 Theatre on Atlanta’s Decatur Street. He was touring as part of Seals & Mitchell’s “big revue,” a variety show featuring musicians, “real dancers — who can sing,” and comedians. The 81 was a black-owned venue, but this frolic was for a whites-only audience.

Atlanta Journal, 27 November 1925.

The show was a hit, and Laddie Springs’ “famous” band was hailed as the “best in the country.”

Atlanta Constitution, 28 November 1925.

A week later, Seals and Mitchell’s chorus were in Birmingham, Alabama, with Springs fronting a different group — the Six Melody Boys.

Chicago Defender, 5 December 1925.

At the end of the year, Springs fetched up at the Booker Washington Theatre in Pensacola, Florida, with Frank Radcliff‘s Musical Comedy company.

Pensacola News Journal, 29 December 1925.

Eighteen months later, Laddie Springs leading a seven-piece orchestra. His wife Bernice Springs — I don’t know where they married — was planning “to spend a week with Ma Rainey in Chicago while she is recording and enjoying herself  riding in her $13,000 bus.” The Springses could be reached at their home at 428 East 2nd Street in the old Brooklyn neighborhood of Charlotte’s Second Ward. (The site is now under a Hilton Garden Inn.)

Pittsburgh Courier, 2 July 1927.

In 1929, the Springs’ old colleagues in the Seals and Mitchell show wrote from San Bernardino, California, that they wanted to hear from “Laddie Springs and wife.”

Saint Louis Defender, 2 March 1929.

The Springses apparently rode out much of the Great Depression in Wilson. A 1932 social column in the Journal and Guide mentioned that Laddie Springs furnished music for a home wedding and, as a member of the Carolina Stompers Orchestra, entertained guests of the Pleasure Seekers Social Club.

Journal and Guide (Norfolk, Va.), 2 April 1932.

Several months later, both Springses performed for the Moonlight Chasers club at a house on Church Street.

Journal and Guide (Norfolk, Va.), 10 September 1932.

The following month, Laddie Springs played piano at a birthday party held at the Whitney Hotel.

Journal and Guide (Norfolk, Va.), 1 October 1932.

The Carolina Stompers performed at Wilson’s Black high school in February 1933. Vocalist Catherine Wilkerson performed “Strange,” composed by Laddie Springs, which became one of the band’s signature tunes.

Journal and Guide (Norfolk, Va.), 18 February 1933.

A few weeks later, the high school’s home ec club gave a dance at “Vicks Hall,” which was probably a space in the Odd Fellows building Samuel H. Vick had built.

Journal and Guide (Norfolk, Va.), 11 March 1933.

Doris Henderson was born 14 December 1935 in Wake County, N.C., to Bessie Henderson and Laddie Springs.

Laddie and Bernice Springs separated, and he moved north to Philadelphia. Bernice Springs appears to have remained for some time in Wilson County, where she is listed in the 1940 census enumeration of the town of Elm City.

On 27 October 1940, in Wilmington, Delaware, Laddie Springs, 36, of Philadelphia, single, musician, born in North Carolina to Frank and Anna Springs, married Mildred F. Smith, 30, of Wilmington, Delaware, divorced, born in Delaware to Wesley and Alretta B. Taylor.

In 1942, Laddie Springs registered for the World War II draft in Philadelphia, Pennsylvania. Per his registration card, he was born 22 April 1904 in North Carolina; lived at 1340 North 57th Street, Philadelphia; his contact was Mildred Springs; and he worked for Pop Clede Subway Grill, Chester, Pennsylvania.

1950 Philadelphia, Pennsylvania, city directory.

In the 1950 census of Philadelphia, Pennsylvania: at 5526 Master, apartment 2, Laddie Springs, 45, orchestra musician, and wife Mildred, 42, operator in dress factory.

In 1970, Springs briefly joined Ed Ashley’s Jazz Band, which played small clubs in the Philadelphia area. The liner notes for their single album includes a brief bio of Springs, which noted that he had written “Strange” and had played duo piano with Earl Hines and Fats Waller in the 1930s.

Laddie Springs died in Philadelphia in July 1988. His obituary glosses over his early years on the road and his years in Wilson and erroneously credits him with founding the Carolina Stompers, but sheds light on his decades in Philadelphia. [Sidenote: my grandmother spent her more than four decades in Philadelphia at 5549 Wyalusing Avenue, just one block from Camphor Memorial United Methodist.]

Philadelphia Inquirer, 18 July 1988.

Image of “Strange” record courtesy of Swing Blues Jazz 78 RPM.

Spellman loses radio show after speaking out against injustice.

Erudite agricultural extension agent Cecil L. Spellman not only editorialized about the Scottsboro boys in the Norfolk Journal and Guide, he spoke of the case during his weekly program on Wilson’s WGTM radio station. He was immediately dropped.

His was not the only African-American programming impacted by “radical revisions” in station policy. The Laddie Springs Orchestra (who were they??) had been booted from the main studio to Studio B, a space so small that a quartet would have felt squeezed. The orchestra cut ties “rather than suffer further indignities.” Handel’s Chorus, Hartford Bess‘ widely acclaimed singing group, was directed to limit their vocal offerings to “old spirituals.” No classical pieces or solo numbers. Chorus president Jack Sherrod announced they would leave the station, too, as they preferred variety.

In response, businessmen Daniel McKeithan, William F. Potts, Spellman, and Sherrod made plans for a 15-week half-hour weekly show to start in September. (On WGTM??? How would that work? Did it work?)

Journal and Guide (Norfolk, Va.), 14 August 1937.